It’s no wonder the wedding has been a staple of stage comedy since Shakespeare’s time. A wedding has all the elements of a stage production: a supporting cast and two romantic leads, an audience, costumes and even a script. The effort of producing a real spectacle can bring even the most experienced stage manager–or wedding planner–to his knees.
Five years ago, when playwright Jordan Harrison began writing “Futura,” the death of print still sounded like an ominous prophecy, one that could be enlarged into the stuff dystopian fantasies are made of. Today, that dread is palpable to some, and the paperless future is almost here.
When director Amy Attaway started working on Jordan Harrison’s typographical dystopian play “Futura,” she had just bought her first iPad. One of the first news stories she read on her tablet was about Encyclopedia Britannica discontinuing its print edition. The sinister future Harrison devised, where handwriting, printing, paper and books are outlawed and all written materials are part of “The Big Collection” in the cloud, suddenly felt very close.
Belgian surrealist painter René Magritte was known for his playful use of mystery–men in overcoats and bowler hats floating, an apple or a boulder suspended in mid-air. Sometimes silly, always evocative, he captured the imagination of art lovers of all ages.
Louisville’s Looking for Lilith Theatre Company celebrates a decade of productions with a staged reading of a new play, “Becoming Mothers,” and a revue of old favorites titled “10 Years, 7 Stories.” The shows open Thursday and run in repertory at The Bard’s Town through June 10.